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This, the penultimate volume of Huxley's complete essays, contains two books of essays as well as a number of occasional pieces that appeared in magazines. Underlying all of Huxley's fictional work is the free play of ideas. And it is these essays that demonstrate his immense reading and fluidity of thought. However, the essays are more than just research material waiting to be reworked into fiction: they reflect Huxley's own struggle to find meaning in the world. Theme & Variations, I think his most cogently reasoned collection of essays, is dominated by a major exposition on the early 19th century French philosopher and statesman, Marie-François-Pierre Maine de Biran. It is important because Maine de Biran's life and his progression from scepticism to Roman Catholicism mirror Huxley's own move from sceptical scientism to religious mysticism. Huxley also manages to discuss in parallel the themes of history and humanity's excessive reliance on technology. Nevertheless, Huxley is never didactic and he is always engaging. The essays demonstrate his natural ease in communicating ideas whilst at the same time opening up new avenues of thought to his readers. Huxley's command of language is wonderful and elegant and this makes all the topics a pleasure to read. The second book of essays covered in this volume originally appeared as Adonis and the Alphabet and Other Essays. These are much more in keeping with Huxley's interests in social institutions and practices and are placed against the backdrop of his perennial interests in history, technology and religion. Readers of his earlier essays will be on more familiar territory here. I think that one of Huxley's most appealing talents is his ability to inform on a wide range of disciplines with confidence but without superficiality. One essay, Gesualdo, is a hugely entertaining piece on the 16th century composer. In the space of a few pages Huxley introduces his life (including the episode of hiring assassins to murder his unfaithful wife and her lover), recreates something of the nobility's role in Naples at that time and details, through an exposition of his contribution to the development of the madrigal form, his genius for music. It is witty, informative and never boring. Huxley's writing is deeply insightful. He conveys with ease issues that are just as relevant today through their historical contexts and introduces us to the history of ideas. This volume (as well as others in the series) has an excellent introduction by Robert Baker who conveys the main flow of the essays and Huxley's life at that time. This sturdy volume is complete with a comprehensive index for easy reference. I think the 34 essays contained in this volume represent great value for money and I unreservedly recommend it.
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