Understated masterpiece.
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It's appropriate somehow that this American novel is in-print in England, because it's so unlike most fiction America produces: it's quiet, somber, compact and gracefully written, thoroughly unhip and un-modern. It is a simple tale about a somewhat banal English professor in the midwest whose life just sort of floats by him. The prose is rich and terse, never ostentatious, and for a novel whose setpieces occur mostly in an academic setting, it's utterly engrossing. Williams writes with humanity and insight about relatively normal people we would pass by in the street, and in being so faithful to their aches and appetites, he convinces you -- like all good fiction from Homer to Tolstoi -- that these are real human beings you're reading about. Nothing less than extraordinary. Please buy this book!
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Why is this novel not famous?
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It's great to have Stoner back in print in the UK, along with Augustus, both with wonderful new introductions. It's been 30 years since I first read Stoner and reading it again for the third or fourth time I can only confirm that the novel more than stands the test of time. It is a story of an honest man, of personal integrity in the face of considerable obstacles. Very few contemporary novels have moved me to the same extent or depth as this one. C.P. Snow in a review of the first British edition asked the question, "Why is this novel not famous?" Why not, indeed.
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