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This book by Smith and Matthews, while decidedly not the "ultimate Tim Burton-book" (that would still be Mark Salisbury's "Burton on Burton"), is still a rather impressive piece of work. The amount of research that has gone into it is certainly evident, resulting in comments and analyses of Burton's filmography that are sound and solid. The writing is also good, flowing well and providing for an easy and enjoyable read. There are, however, a few, minor quibbles. First of all, the authors appear rather too fixated on shooting down Ken Hanke, author of "Tim Burton: An Unauthorized Biography". They never ever let a chance to put him down pass them by, and after a while it does get a bit tiresome. If criticizing other authors is so important, why not also dish out some to Helmut Merschmann, who, after all, offers up a plethora of wildly unfounded claims in his rather inept (and slim) view of Burton in "Tim Burton: The Life and Films of a Visionary Director"? Secondly, the book could have benefitted from some more proofreading, as a few errors crept through. A few examples: Spider-Man is referred to as Spiderman, and that spooky-sounding classic instrument, the theremin, is consistently misspelled as "theramin." Still, these are minor points. This is definitely a book worth getting for people interesting learning more about this exciting director. The entry on "Luau" alone marks this as a must-have for any Burton-fan. But get "Burton on Burton" first.
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