66 Carmine
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Before finishing Ellory's beautiful A QUIET BELIEF IN ANGELS I decided to buy everything else he has written, and CITY OF LIES is the first I found, although it is actually his fourth novel. I much prefer the author's original title '66 Carmine' as it evokes thoughts of a more appropriately noir-ish atmosphere than the rather bland title the publishers preferred and more accurately reflects one of the key elements of the story, which is to say this house is where it all began some three decades earlier and where it ultimately ends.
It has to be said that the writing style is so completely different from AQBIA that the reader might wonder if they were both penned by the same man, but there is one thread that both novels have in common: the central character in each case will become a writer, in fact the key man here has already had a book published in years past which is often referred to in dialogue. That man is 36-year-old John Harper, who has lived an unassuming life in Miami unaware that the father he thought had died when he was a boy is in reality one of the most powerful financiers of organised crime in New York. It's only when the elderly boss-of-bosses is shot and critically injured that Harper is brought in to act on behalf of the father he never knew so as to bring about the big deal that is designed to hand over power and territory to another leading underworld kingpin.
This is a riveting, powerful character-driven tale of life-long deception and power pursuits. Spread over just ten days or so the bulk of the story is built upon the lead up to a climax on a specific date, Christmas Eve, and much of the final 100 pages are dedicated to a minute-by-minute account of several simultaneous bank heists on that day. If this was to be turned into a film, I would suggest that Michael Mann would be the right man to direct it. Despite intense and intimate debate about what went on all those years ago and what will happen when everything comes to a head in a few days' time, I could not think what the outcome would be as it seemed, in its specific detail, to be utterly unpredictable. The confusion and distraction that Harper and others suffer is felt by the reader too, I for one feeling totally engrossed in the people, the history and the events, and sensing real tension and danger in the concluding stages. This is a crime thriller with genuine depth and breadth and one that on several occasions manages to move, excite and surprise the reader. The bank heists are pure theatre, vividly cinematic and thoroughly gripping. Once you're in, you won't want to put it down until the very end. Strongly recommended - RJ Ellory has to be one of Britain's best and yet still most promising literary talents.
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