The Camomile Lawn by Mary Wesley, , 0552991260 Search discount cheap book, Compare Book prices, Find Lowest Price
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The Camomile Lawn, cheap new, used books  The Camomile Lawn (Black Swan)
Author: Mary Wesley  
ISBN: 0552991260   /   Paperback
Publisher: Black Swan   /   1998-07-02
List Price: £6.99
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Customer Reviews:
A wonderful book     
This is truly a wonderful book that I have read on several occasions.
Mary Wesley is a fabulous writer.
Great Holiday Read     
I read this book on holiday in Cornwall and couldn't put it down. There are quite a few characters to get used to, but once you have done that they all grow on you (some more than others). The author writes from experience and you believe every word on the page. The book starts just as war is declared and you know that their world is about to changed forever. They go off to war, some survive some die, they get married and divorced and have affairs, they have children. The book follows them through the ups and downs of the privilidged in London and jumps back and forward in time to a funeral being held. I really enjoyed this book and would recommend it.
A quick and easy but enjoyable read     
This novel, which was made into a TV miniseries in the early 1990s, incorporates many themes and elements of plot which reappear in other Mary Wesley novels: unconventional relationships, heroines with names derived from ancient mythology, twins and cousins, motherhood, love arriving late in life, and the life-changing experience of living through the Second World War on the home front. It's a quick and easy read, involving but not too taxing, with plot developments which may occasionally strain credulity but characters who are fully-fleshed, unconventional and ready to seize whatever opportunities their lives bring.
Snort     
I remember seeing Mary Wesley interviewed about 'The Camomile Lawn' and saying someone had told her it 'captured exactly how life was lived duing the 1940s'.

I told my mother that (who was a young woman herself during the '40s) and she snorted, 'Not the sort of life WE cared to live, thank you very much!'
The intensity of life in war-time.     
The book opens on the very eve of the Second World War, with five cousins on holiday at the Cornish home of their Aunt Helena and Uncle Richard (all upper middle class). Four of them (two young women, two young men) are aged 19 or 20, the fifth is Sophy who is just ten. There are also the twin sons of the local rector, who has also taken in a Jewish refugee couple, Max and Monika, from Austria. The novel traces the lives principally of these eleven characters during the war, much of it set in London. Under the intensity of life in war-time, the young people lose any conventional inhibitions they might possibly have had under other circumstances. (I say `possibly', because uninhibited behaviour had been the mark of certain young socialites in the 1920s). One can hardly keep track of the sexual permutations and combinations between them. Even middle-aged Uncle Richard and Aunt Helena have unorthodox liaisons. It is all rather rackety, and in the first half of the novel one feels the characters are driven more by sensuality than by anything deeper, with emotions only superficially engaged. But in the end they do become more deeply involved emotionally; some psychological complexities then emerge (especially for Helena and Calypso) and the reader's sympathies slowly become engaged with them. Most of the story is told as a war-time narrative; but at the end of some chapters we move on forty years or so, when those who are then still alive are converging for Max's funeral and look back on those years; so we learn something about what has happened to them since.

Some of the characters come more alive than others in the book. Especially successful, I think, is the portrait of Uncle Richard, for the most part just avoiding caricature. Calypso, the eldest of the cousins, and Sophy, the youngest, have some personality, as do Max and Monika; some other characters are not rounded out at all. All of them talk in short laconic sentences (the greater part of the book consists of dialogue), and only Richard, Max and Monika have a way of speaking which is in any way distinctive.

There is humour in this book and pathos; it shows that the intensity of war-time life brought its pleasures as well as its sorrows. It is a good read, but I think it lacks the subtlety of a great novel.
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