Groundbreaking cross-disciplinary study of a classic film.
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This is a must have book for anyone with a love of the cinematic classic 'Lawrence of Arabia'. It combines ethnography, film criticism and Caton's own extensive knowledge of the Middle East in an interesting and innovative examination of Lean's multi-layered work. At times intensely personal, it remains very accessable offering an opportunity to view an old classic with new insight and appreciation. I would urge any film student to add this work to their personal library.
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