Editorial Reviews: |
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The Apollo missions, completed between 1967 and 1972, were achieved due to the magnificent co-operative effort of 400,000 men and women, and resulted in the miraculous feat of no deaths, six lunar landings, and over 32,000 photographs. To mark the 30th anniversary of the first landing, the Hayward Gallery in London held an exhibition in Summer 1999 of a selection of those photographs under the title "Full Moon". Indulge yourself in the catalogue of the show and it will take your breath away. Artist and photographer Michael Light has drawn on Nasa's huge archive to put together an archetypal lunar journey in images, from take-off to landing. It is awesome. To communicate the necessary density required a special black ink --"Luna Nero" was developed solely for the printing of this book, and the latest digital resources were used to process miles of black-and-white negatives and colour transparencies to a unique razor-sharp clarity. With five gatefold montage panoramas included, this is landscape photography at its best. Astronauts take their first steps in space, their cables attaching them to their mother craft like giant umbilical cords. The moody surface of the moon changes with every picture, resembling fried egg-white, Emmental cheese, and bubbling broth, magnificent desolation where humankind is the alien. Everything is shadow, scale, texture, trails. Ultimately space travel, like any journeying, is about where you come from rather than where you are going, and the pictures of the Earth taken from space are about as life-affirming as anything you will see. The final image, taken from a capsule that has landed in the Pacific Ocean, ironically shows a seascape redolent of the moon, but appropriately coloured Earth-defining blue. Andrew Chaikin, author of the definitive study of the Apollo missions A Man in the Moon, has written a well-observed essay to complement Light's sequence, but there is no doubting the stars of the show, so to speak. At a time when we've bewilderingly lost a sense of space, this luxurious and spiritual book brilliantly captures something of it anew. --David Vincent
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The Apollo missions, completed between 1967 and 1972, were achieved due to the magnificent co-operative effort of 400,000 men and women, and resulted in the miraculous feat of no deaths, six lunar landings, and over 32,000 photographs. To mark the 30th anniversary of the first landing, the Hayward Gallery in London held an exhibition in Summer 1999 of a selection of those photographs under the title "Full Moon". Indulge yourself in the catalogue of the show and it will take your breath away. Artist and photographer Michael Light has drawn on Nasa's huge archive to put together an archetypal lunar journey in images, from take-off to landing. It is awesome. To communicate the necessary density required a special black ink --"Luna Nero" was developed solely for the printing of this book, and the latest digital resources were used to process miles of black-and-white negatives and colour transparencies to a unique razor-sharp clarity. With five gatefold montage panoramas included, this is landscape photography at its best. Astronauts take their first steps in space, their cables attaching them to their mother craft like giant umbilical cords. The moody surface of the moon changes with every picture, resembling fried egg-white, Emmental cheese, and bubbling broth, magnificent desolation where humankind is the alien. Everything is shadow, scale, texture, trails. Ultimately space travel, like any journeying, is about where you come from rather than where you are going, and the pictures of the Earth taken from space are about as life-affirming as anything you will see. The final image, taken from a capsule that has landed in the Pacific Ocean, ironically shows a seascape redolent of the moon, but appropriately coloured Earth-defining blue. Andrew Chaikin, author of the definitive study of the Apollo missions A Man in the Moon, has written a well-observed essay to complement Light's sequence, but there is no doubting the stars of the show, so to speak. At a time when we've bewilderingly lost a sense of space, this luxurious and spiritual book brilliantly captures something of it anew. --David Vincent
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