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Matisse has always suffered from bad press. In his home town he was known as a triple failure: He couldn't take over the family seed store, he didn't make a career in law work and he threw away a chance to be a popular Salon artist. When people saw his latest paintings, they were often overwhelmed and unprepared for what they saw. Only a few visionary collectors and fellow artists understood his ground-breaking efforts. Picasso and those who supported Picasso felt that they had to run down Matisse to help their own cause . . . despite having "borrowed" heavily from Matisse. Later, most of Matisse's early masterpieces were hidden away in foreign, private collections while crowds jeered at his latest work. The pain of all this was immense for Matisse. But his private sorrows were made even greater by the difficulties he had in developing his style, the birth of an illegitimate child whom he acknowledged who suffered from serious health problems, and the poverty that dogged him until he was around 40. What is less well known is that his in-laws became embroiled in one of the most celebrated scandals of all time in France, and Matisse found himself drawn into saving them. Ms. Spurling does well in capturing the agony of being Matisse. Her style though leaves something to be desired. Much of the information is superficial rather than revealing. In many cases, I felt like I was reading someone's unreflective daily diary. An exception was the material on the Humbert Scandal which Ms. Spurling has also written about quite well in La Grande Therese. Ms. Spurling also could have included more about Matisse's art in this book. But you will learn a lot about Matisse from this book that you won't find in most other sources. I found the recent companion volume, Matisse the Master, to be much more rewarding. If you decide to read only one of the two books, I suggest that one. But you may decide to come back and read this one later, as I did.
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