Hasn't Aged Well
|
This well-regarded meditation on life and death is one of those books I would have been unlikely to ever get around to had it not been selected by my book group. Our group tends to pick (and generally enjoy) classics or works by various well-regarded international writers (recent examples include Saramago, Eco, Calvino, Greene, Pamuk, etc.), so this book seemed like it would fit well within the group's standard range. So it was somewhat surprising to discover that, not only was I not the only one who showed up for our discussion with a rather tepid reaction to the book, but none of the six other well-read members found it in any way remarkable or edifying. Even the person who picked the book (a self-professed fan of Spark's other work) found it a disappointment.
Set in mid-1950s London, the story revolves around an interconnected group of elderly people. In what might be considered a parody of an Agatha Christie book, one, and then another of the old folks start getting mysterious phone calls informing them that "Remember, you must die." However, this is not a detective story or a thriller, except perhaps in the metaphysical sense. Despite recreating the classic scene of gathering all the characters in a drawing room in a debriefing conducted by a retired police detective, Spark is purely concerned with their reaction to the idea of mortality, rather than revealing the true nature of the phone calls. Indeed, two of the calmer characters reflect that the calls may be from "Death" (with a capital D), reflecting Sparks own stated belief that the line between the tangible world and the supernatural is a very thin and blurry one.
However, many of the characters take the statement as a direct threat and grow increasingly agitated, while others take it as a mere statement of fact, and at least one is in total denial, and another finds it an interesting scientific problem. What may be ultimately frustrating, however, is that none of the characters change in any way as a result of the calls -- if anything, their often negative characteristics are only amplified. One pessimistic lesson may well be that you can't teach an old dog new tricks, however it seems more likely that Spark is attempting to highlight the notion that those who contemplate mortality on a daily basis lead more fulfilled lives as a result.
In any event, those who like the book repeatedly cite the venal, immoral, and foolish behavior of the elderly protagonists as a major source of humor. Our group felt that while the various indiscretions, blackmail, and outbursts of jealousy and vitriol may well have been sly and subversive in the '50s, they aren't likely to strike any but the most naive of modern readers as such. Ultimately, I would be inclined to second-guess my reaction to such a critically well-regarded book, except that six other people more or less had the same experience.
|
|
Remember you must die
|
All the characters in Muriel Spark's novel are old people. There is Dame Lettie Colson who is pestered - but perhaps it is an illusion - by anonymous telephone calls with a voice saying only "Remember you must die", her brother Godfrey and his wife Charmian who live in a sort of ménage à trois. Their life doesn't get easier as they advance in age: senility and physical decrepitude are handicaps they try to live with, sometimes conscious of them but not always.
Then there are the twelve female occupants of the Maud Long Medical Ward, a nursing home, who spend their time gossiping about petty scandals, mostly about wills being rewritten in the favour of another person for some trivial behavioural reason.
The plot is both funny and macabre because all the characters are mean, jealous, curious, witty or confused, probably as they used to be all their life. It seems that old age does not transform our character much, for better or for worse.
|
|
|
Spark reminds us we all must die, but at least have a laugh
|
|
Muriel Spark reminds us that we all must die. Read this book and you will not forget this, unlike her septugenarian and octogenarian characters. Because of their selective amnesia a malicious caller interupts their respectful and often laughable lives. 'Remember, you must die,' says the voice, which, understandably, upsets people. Meetings are held and retired detectives reinstated. Old relationships and sordid pasts are gradually and carefully revealed creating a tension with the character's own present and the false identity they cling on to with wrinkled fingers. There is also a more touching tension that of their inevitable and certain future. Those characters who are comfortable with the caller and his message are branded senile, suggesting a feeling of contempt that Spark has for her main characters and their secretive and silly lives. This is a cleverly constructed novel. It is dark but often light too. There is a delightful sense of irony, and the investigations that attempt to discover the caller's identity give the novel a distinct touch of the Agatha Christie mystery. Muriel Spark is on of Scotland's best writers. This is a very good and funy book.
|
|
|
United States | 
United Kingdom | 
Canada