Songmaster by Orson Scott Card, , 0099638509 Search discount cheap book, Compare Book prices, Find Lowest Price
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Songmaster, cheap new, used books  Songmaster
Author: Orson Scott Card  
ISBN: 0099638509   /   Paperback
Publisher: Legend paperbacks   /   1990-03-15
List Price: £4.99
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Customer Reviews:
A brilliant tale - but...     
All fans of "Treason" will probably be delighted in this book. Orson Scott Card picks yet another new idea and takes it to the limit. His prose is strong, it takes the reader from one extreme to the other. I'm not ashamed to admit I had tears in my eyes quite a few times while reading this one. The only thing that drops the fifth star is the last part of the book. It is too long and rambling for an afterword, too insignificant to add anything to the thrill of the rest of the book. I'm fairly sure Card has added it as an afterthought, and we could live without it.
Otherwise the book is a masterpiece. If and when I read it again, I'll leave the last part unread, and be happy.
A Song of Power     
Card seems to have a predilection for having child protagonists. But not just any children, rather children who are special, who are prodigies, who in many ways are far stronger than most adults. This book is no exception, with Ansset as the premier Songbird of his day. Songbirds are specially trained child singers, trained in not just the basics of music, but more importantly in how to read the emotional makeup of their audience and express it in their songs.

Ansset is assigned to be the Songbird for the Emperor Mikal, a brutal man who thinks nothing of wiping out the entire population of a planet to further his ends. But the end Mikhal is driving toward is lasting peace throughout the galaxy - a truly benevolent dictator. It is just this moral ambiguity that Ansset sees and understands, just as he can understand, accept, and reciprocate the love of Josif, a bisexual who can only be attracted to one person at time.

In fact, there are no hard and fast moral laws laid down in this book. Fraud, kidnapping, assassination, murder, homosexuality, pedophilia, devotion, political machinations, and, yes, even true love all receive an examination here, and each item is shown in more than one light. A good part of this book's strength lies within these examinations, which are shown by the events and people Ansset is exposed to, rather than by any sort of expository dialogue. The rest of the strength lies within the raw emotion that sings throughout this book, an almost poetic handling of what would be in lesser hands a very ugly set of happenings. Characterization is excellent, for not just Ansset but also all the players around him: Mikal, Ricktors, Esste, Kya-Kya - each are unique individuals that breathe life into this work.

Not so good is the believability of the basic scenarios, from Ansset's incredible ability as a very young child to read the deep emotional makeup of those around him and sing that back to them, certain fighting skills that Ansset learns, even to the musical language members of the Songhouse converse with. While Card makes a good stab at presenting these items in such a way as to try and make them believable, and while reading it these doubts can easily be pushed into the background, after closing the book they leave a bit of a sense of something not quite right, a lack of direct applicability to the 'real' world. While this is not a great flaw, it does bring this book down from the level he achieved in Ender's Game, making it merely very good as opposed to that book's greatness.

--- Reviewed by Patrick Shepherd (hyperpat)

Awakening the power of soul     
In this novel the emotional power of the soul is awakened through the song of the master so strongly that the entire empire is his. It is fiction and yet this musical power feels very real to me.
Masterful in multiple ways     
A must-read for any truly technical and/or classical singer - Card really did some homework on this one. And of course, Orson Scott Card is at his usual best. Characters are difficult to care about when books span such gigantic leaps of time, and characters' lives are over in a few hundred pages. Card has managed to make a complex character's entire life TRULY REAL in far under the standard 800 pages of other authors in his genre. Card is daring and fearless - there is a line, and while he does not cross it, he dances frequently upon it. In my collection, this is a book I will read annually.
What can I learn from this book?     
My concern about this book is not about the way it is written (even if it is not so accurate and closes some situations in a rather silly way), but about the meaning of the book itself. Three of the charachters are suicide, and their choice is well seen by the author. The message is: suicide is a privilege of the Great (only the masters of songs are allowed to commit suicide, as RRUK says). This is not a good message according to me. There are some other views I don't share with the author, like his attitude towards sexuality. On the whole my rate is three stars becouse it evokes powerful emotions, but almost everithing said in the book about emotions is not true ...... according to me!
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