Hollywood Divas by James Robert Parish, , 0071408193 Search discount cheap book, Compare Book prices, Find Lowest Price
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Hollywood Divas, cheap new, used books  Hollywood Divas: The Good, the Bad and the Fabulous
Author: James Robert Parish  
ISBN: 0071408193   /   Paperback
Publisher: McGraw-Hill Contemporary   /   2002-11-01
List Price: £11.99
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Customer Reviews:
The good, bad, and rarely fabulous     
Tallulah Bankhead described a diva as an entertainer who "brings the public into the theater or opera house... by sheer force of her unique and individual self." And James Robert Parish tries to cram a lot of the best into "Hollywood Divas: The Good, The Bad, and the Fabulous"... with mixed results.

In alphabetical order, Paris describes the various classic divas -- Joan Crawford, Bette Davis, Dorothy Dandridge, Bankhead, Grace Kelly, Norma Shearer, Ava Gardner, Paulette Goddard, Marilyn Monroe, Ethel Barrymore, Loretta Young, and even the original ones like Theda Bara, Clara Bow, and Veronica Lake.

But he also tackles the newer ones -- good, bad and horribly untalented -- Cher, Madonna, Janet Jackson, Jennifer Lopez, Drew Barrymore, Liza Minelli, Demi Moore, Whitney Houston, Diana Ross, Meg Ryan, and Sharon Stone. These bios tend to be a wee bit out of date by now.

"Hollywood Divas" does its best as a tabloidy expose of these ladies' awful behavior, raunchy secret lives, and everything from drugs'n'booze to suicide to public scandal to secret love children. There's enough scandal here for a dozen heavy tomes.

In that respect, this book is fairly fun -- Parish crams a lot of naughtiness, sour marriages and lovers, along with some scattered information on the films they made. He also covers divas -- like Dandridge -- who are often neglected in such studies.

He has a nice, brisk style, and rarely plays favorites with the various divas here, however they end up (one exception is the unsoftened contempt for an ice skater who was pro-Hitler). And he tries to mention how they ended up -- sometimes married, or happy, or tragically dead, or working as housekeeper for a priest.

The problem is that Parish sometimes seems to confuse simple bad behavior and/or stupidity with divadom. I mean, Joan Rivers as a diva? Really. Roseanne? Nuh-uh. Demi? Not no Moore. And the walking train wreck known as Britney Spears? How about someone with a showbiz shelf life of more than three or four years?

"Hollywood Divas" suffers from some questionable entries, but there's enough fun scandal here to make it worth a car-ride read.
absolutely fabulous, dahling!     
This book covers some of the most memorable leading ladies to come out of Hollywood since it began, from Theda Bara to Britney Spears. Because the author has so many to pack in inevitably he hasn't got the space to devote as much information as perhaps we'd like. Elizabeth Taylor's life and career for instance has been such a monument to diva-dom that he concentrates solely on the filming of the notoriously troubled epic "Cleopatra", which was stressful enough on its own! It's interesting how many common threads there are to the ladies, for instance how the vast majority of them had tried to lie about the year of their birth, and how many had traumatic childhoods. Clara Bow's childhood was absolutely horrific. She grew up in a tenement block in Brooklyn, was repeatedly sexually abused by her father (who sponged off her when she became famous) and was nearly stabbed by her insane mother. Sometimes it's easy to forgive those who acted like prima donnas when they hit fame, considering the start that many had.

Although, having said that, it is true that many engineered their own downfall through their demanding ways. In the end the studios were only too happy to let them go, particularly if another diva was on the rise, snapping at their heels wanting a piece of the action. The most tragic tale of the lot for me was Mae Murray. Mae was a huge star of the silent films in the 1920s, famous as much for her glittering parties as for her films. When the talkies came along, and Mae was well into middle-age by then, her services were no longer required. Within a few short years she was reduced to sleeping rough on a bench in Central Park. Eventually, because of a stroke, she lost her mind and, like Norma Desmond in "Sunset Boulevard", believed she was still a big star, using the reality-defying logic that "a star is always a star". I found this almost unbearably sad. What is reassuring though is that our present-day diva's seem to have a much better chance of surviving gracefully than their predecessors. A bit of scandal or a few duff movies can no longer finish someone's career for good, and we tend to be much more tolerant of our celebrities foibles. Somehow I can't see Britney or J.Lo ending up like Clara Bow or Mae Murray. I hope! My only real gripe about the book is the choice of photographs. The publishers seem to have gone out of their way to find the most dreary or unflattering pics they could find. Considering the amount of glamour these ladies all generated between them I find this quite extraordinary!

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